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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 The Manipuri Pony (Meitei: Meitei Sagol) is a traditional Indian breed of small horse or pony from Assam and Manipur in north-eastern India. It appears both in the history and the mythology of Manipur, and was used for warfare and polo. It is believed to have been the polo pony in use in Assam in the mid-nineteenth century when British tea planters first saw polo being played, and the height limits set for polo ponies were based on ponies of this breed. It was very numerous in the early twentieth century, but numbers have since fallen. A breed society was established in 1977, and a breed standard was drawn up by the Indigenous Horse Society of India in 2009. (Full article...)

    The Manipuri Pony (Meitei: Meitei Sagol) is a traditional Indian breed of small horse or pony from Assam and Manipur in north-eastern India. It appears both in the history and the mythology of Manipur, and was used for warfare and polo. It is believed to have been the polo pony in use in Assam in the mid-nineteenth century when British tea planters first saw polo being played, and the height limits set for polo ponies were based on ponies of this breed. It was very numerous in the early twentieth century, but numbers have since fallen. A breed society was established in 1977, and a breed standard was drawn up by the Indigenous Horse Society of India in 2009. (Full article...)
  • Image 2 There are literary, archaeological, epigraphic and numismatic sources of ancient Tamil history. The foremost among these sources is the Sangam literature, generally dated to 5th century BCE to 3rd century CE. The poems in Sangam literature contain vivid descriptions of the different aspects of life and society in Tamilakam during this age; scholars agree that, for the most part, these are reliable accounts. Greek and Roman literature, around the dawn of the Christian era, give details of the maritime trade between Tamilakam and the Roman Empire, including the names and locations of many ports on both coasts of the Tamil country. Archaeological excavations of several sites in Tamil Nadu and Kerala have yielded remnants from the Sangam era, such as different kinds of pottery, pottery with inscriptions, imported ceramic ware, industrial objects, brick structures and spinning whorls. Techniques such as stratigraphy and paleography have helped establish the date of these items to the Sangam era. The excavated artifacts have provided evidence for existence of different economic activities mentioned in Sangam literature such as agriculture, weaving, smithy, gem cutting, building construction, pearl fishing and painting. (Full article...)
    There are literary, archaeological, epigraphic and numismatic sources of ancient Tamil history. The foremost among these sources is the Sangam literature, generally dated to 5th century BCE to 3rd century CE. The poems in Sangam literature contain vivid descriptions of the different aspects of life and society in Tamilakam during this age; scholars agree that, for the most part, these are reliable accounts. Greek and Roman literature, around the dawn of the Christian era, give details of the maritime trade between Tamilakam and the Roman Empire, including the names and locations of many ports on both coasts of the Tamil country.

    Archaeological excavations of several sites in Tamil Nadu and Kerala have yielded remnants from the Sangam era, such as different kinds of pottery, pottery with inscriptions, imported ceramic ware, industrial objects, brick structures and spinning whorls. Techniques such as stratigraphy and paleography have helped establish the date of these items to the Sangam era. The excavated artifacts have provided evidence for existence of different economic activities mentioned in Sangam literature such as agriculture, weaving, smithy, gem cutting, building construction, pearl fishing and painting. (Full article...)
  • Image 3 Kaksparsh is a 2012 Indian Marathi period drama film directed by Mahesh Manjrekar and produced by Aniruddha Deshpande and Medha Manjrekar. The film stars Sachin Khedekar, Priya Bapat, Medha Manjrekar, Savita Malpekar and Ketaki Mategaonkar. Based on a short story by Usha Datar by the same name, the film depicts the tumultuous events in a Chitpavan Brahmin family, set around 1930–1950 in Konkan. The film was a commercial success and got critical acclaim for its direction, screenplay by Girish Joshi and also for the performances by its actors, especially Khedekar for his portrayal of Hari Damle as a head of the family. In 1989, the short story was adapted into a Marathi play Janmagaath with actor-director Vinay Apte playing the lead. Apte had desires to make a film based on it. However, his attempts were not successful. Sachin Khedekar, who went to play the lead in the cinematic adaptation of the story, had seen the play and came across the story again in 2007. Khedekar requested Girish Joshi to complete the adapted screenplay and together approached Manjrekar in 2009 to make a film on the story. Kaksparsh's shooting was completed in 26 days – from 5 to 30 December 2011 and was released on 4 May 2012, on the occasion of centenary of Indian cinema. (Full article...)
    Kaksparsh is a 2012 Indian Marathi period drama film directed by Mahesh Manjrekar and produced by Aniruddha Deshpande and Medha Manjrekar. The film stars Sachin Khedekar, Priya Bapat, Medha Manjrekar, Savita Malpekar and Ketaki Mategaonkar. Based on a short story by Usha Datar by the same name, the film depicts the tumultuous events in a Chitpavan Brahmin family, set around 1930–1950 in Konkan. The film was a commercial success and got critical acclaim for its direction, screenplay by Girish Joshi and also for the performances by its actors, especially Khedekar for his portrayal of Hari Damle as a head of the family.

    In 1989, the short story was adapted into a Marathi play Janmagaath with actor-director Vinay Apte playing the lead. Apte had desires to make a film based on it. However, his attempts were not successful. Sachin Khedekar, who went to play the lead in the cinematic adaptation of the story, had seen the play and came across the story again in 2007. Khedekar requested Girish Joshi to complete the adapted screenplay and together approached Manjrekar in 2009 to make a film on the story. Kaksparsh's shooting was completed in 26 days – from 5 to 30 December 2011 and was released on 4 May 2012, on the occasion of centenary of Indian cinema. (Full article...)
  • Image 4 Location of the Khaljis of Bengal and neighbouring South Asian polities, circa 1230 CE. The Khalji dynasty (Bengali: খলজি রাজবংশ, Persian: خاندان خلجی) was the first Muslim dynasty to rule the Bengal region in the Indian subcontinent. The dynasty, which hailed from the Garmsir region of present-day Afghanistan, was founded in 1204 by Muhammad Bakhtiyar Khalji, a Muslim Turko-Afghan general of the Ghurid Empire. The Khaljis initially pledged allegiance to Sultan Muhammad of Ghor until his death in 1206, though their rule in Bengal was mostly independent. Under the rule of Iwaz Khalji, Bengal experienced major developments such as its first naval force, flood defence systems and linkage with the Grand Trunk Road. The dynasty was based in the city of Lakhnauti in northern Bengal, later expanding eastwards and southwards. Nasiruddin Mahmud, the son of Mamluk sultan Iltutmish of Delhi managed to conquer Bengal in 1227; although the Khaljis briefly reasserted their independence, they surrendered to the Mamluks in 1231, who replaced them with a series of regional governors. (Full article...)

    Location of the Khaljis of Bengal and neighbouring South Asian polities, circa 1230 CE.

    The Khalji dynasty (Bengali: খলজি রাজবংশ, Persian: خاندان خلجی) was the first Muslim dynasty to rule the Bengal region in the Indian subcontinent. The dynasty, which hailed from the Garmsir region of present-day Afghanistan, was founded in 1204 by Muhammad Bakhtiyar Khalji, a Muslim Turko-Afghan general of the Ghurid Empire. The Khaljis initially
    pledged allegiance to Sultan Muhammad of Ghor until his death in 1206, though their rule in Bengal was mostly independent. Under the rule of Iwaz Khalji, Bengal experienced major developments such as its first naval force, flood defence systems and linkage with the Grand Trunk Road. The dynasty was based in the city of Lakhnauti in northern Bengal, later expanding eastwards and southwards. Nasiruddin Mahmud, the son of Mamluk sultan Iltutmish of Delhi managed to conquer Bengal in 1227; although the Khaljis briefly reasserted their independence, they surrendered to the Mamluks in 1231, who replaced them with a series of regional governors. (Full article...)
  • Image 5 19th–century photo of Babri Masjid The Babri Masjid, a 16th-century mosque in the Indian city of Ayodhya, was destroyed on 6 December 1992 by a large group of activists of the Vishva Hindu Parishad and allied organisations. The mosque had been the subject of a lengthy socio-political dispute, and was targeted after a political rally organised by Hindu nationalist organisations turned violent. In Hindu tradition, the city of Ayodhya is the birthplace of Rama. In the 16th century a Mughal commander, Mir Baqi, had built a mosque, known as the Babri Masjid at a site identified by some Hindus as Ram Janmabhoomi, or the birthplace of Rama. The Archaeological Survey of India states that the mosque was built on land where a non-Islamic structure had previously existed. In the 1980s, the Vishva Hindu Parishad (VHP) began a campaign for the construction of a temple dedicated to Rama at the site, with the Bharatiya Janata Party (BJP) as its political voice. Several rallies and marches were held as a part of this movement, including the Ram Rath Yatra led by L. K. Advani. (Full article...)

    19th–century photo of Babri Masjid

    The Babri Masjid, a 16th-century mosque in the Indian city of Ayodhya, was destroyed on 6 December 1992 by a large group of activists of the Vishva Hindu Parishad and allied organisations. The mosque had been the subject of a lengthy socio-political dispute, and was targeted after a political rally organised by Hindu nationalist organisations turned violent.

    In Hindu tradition, the city of Ayodhya is the birthplace of Rama. In the 16th century a Mughal commander, Mir Baqi, had built a mosque, known as the Babri Masjid at a site identified by some Hindus as Ram Janmabhoomi, or the birthplace of Rama. The Archaeological Survey of India states that the mosque was built on land where a non-Islamic structure had previously existed. In the 1980s, the Vishva Hindu Parishad (VHP) began a campaign for the construction of a temple dedicated to Rama at the site, with the Bharatiya Janata Party (BJP) as its political voice. Several rallies and marches were held as a part of this movement, including the Ram Rath Yatra led by L. K. Advani. (Full article...)
  • Image 6 Kadhalikka Neramillai (transl. No Time for Love) is a 1964 Indian Tamil-language romantic comedy film produced and directed by C. V. Sridhar, who also conceived and co-wrote its script with Chitralaya Gopu. The film features an ensemble cast consisting of Balaiah, Muthuraman, Nagesh, Rajasree, Sachu, Ravichandran and Kanchana. The latter two made their acting debut with this film. The plot of Kadhalikka Neramillai revolves around Viswanathan, an estate owner who hopes to get his daughters Nirmala and Kanchana married to wealthy grooms. However, Nirmala falls in love with Ashok, a poor man who was once employed by Vishwanathan. To earn Viswanathan's approval, Ashok pretends to be the only heir of a rich businessman; he is supported by his friend Vasu, who poses as Ashok's fictional millionaire father Chidambaram. A comedy of errors ensues when Vasu discovers his lover Kanchana is Viswanathan's other daughter. (Full article...)
    Kadhalikka Neramillai (transl. No Time for Love) is a 1964 Indian Tamil-language romantic comedy film produced and directed by C. V. Sridhar, who also conceived and co-wrote its script with Chitralaya Gopu. The film features an ensemble cast consisting of Balaiah, Muthuraman, Nagesh, Rajasree, Sachu, Ravichandran and Kanchana. The latter two made their acting debut with this film.

    The plot of Kadhalikka Neramillai revolves around Viswanathan, an estate owner who hopes to get his daughters Nirmala and Kanchana married to wealthy grooms. However, Nirmala falls in love with Ashok, a poor man who was once employed by Vishwanathan. To earn Viswanathan's approval, Ashok pretends to be the only heir of a rich businessman; he is supported by his friend Vasu, who poses as Ashok's fictional millionaire father Chidambaram. A comedy of errors ensues when Vasu discovers his lover Kanchana is Viswanathan's other daughter. (Full article...)
  • Image 7 Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between c. 1570–1590), prepared by the court painters of Mughal emperor Akbar Sher Shah Suri (born Farid al-Din Khan; 1472 or 1486 – 22 May 1545), also known by his title Sultan Adil (lit. 'the Just King'), was the ruler of Bihar from 1530 to 1540, and Sultan of Hindustan from 1540 until his death in 1545. He defeated the Mughal Empire, founding the Sur Empire and establishing his rule in Delhi. The influence of his innovations and reforms extended far beyond his brief reign, being recognized as one of the greatest administrative rulers in India. During his time in power, he remained undefeated in battle and is renowned as one of the most skillful Afghan generals in history. By the end of his reign, his empire covered nearly all of Northern India. Born between 1472 and 1486 and given the name Farid Khan, his early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where his rise to power began after his father offered him a managerial position over his jagirs. Sher Shah effectively governed these territories, gaining a reputation for his reforms that brought prosperity to the region. However, due to family intrigues, he eventually relinquished his position over the jagirs. Sher Shah then moved to Agra, where he stayed until his father's death. This event allowed him to return to his family's jagirs and take control, thereby solidifying his leadership and furthering his rise to power. (Full article...)

    Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between c. 1570–1590), prepared by the court painters of Mughal emperor Akbar

    Sher Shah Suri (born Farid al-Din Khan; 1472 or 1486 – 22 May 1545), also known by his title Sultan Adil (lit. 'the Just King'), was the ruler of Bihar from 1530 to 1540, and Sultan of Hindustan from 1540 until his death in 1545. He defeated the Mughal Empire, founding the Sur Empire and establishing his rule in Delhi. The influence of his innovations and reforms extended far beyond his brief reign, being recognized as one of the greatest administrative rulers in India. During his time in power, he remained undefeated in battle and is renowned as one of the most skillful Afghan generals in history. By the end of his reign, his empire covered nearly all of Northern India.

    Born between 1472 and 1486 and given the name Farid Khan, his early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where his rise to power began after his father offered him a managerial position over his jagirs. Sher Shah effectively governed these territories, gaining a reputation for his reforms that brought prosperity to the region. However, due to family intrigues, he eventually relinquished his position over the jagirs. Sher Shah then moved to Agra, where he stayed until his father's death. This event allowed him to return to his family's jagirs and take control, thereby solidifying his leadership and furthering his rise to power. (Full article...)
  • Image 8 The Hindu–German Conspiracy(Note on the name) was a series of attempts between 1914 and 1917 by Indian nationalist groups to create a Pan-Indian rebellion against the British Empire during World War I. This rebellion was formulated between the Indian revolutionary underground and exiled or self-exiled nationalists in the United States. It also involved the Ghadar Party, and in Germany the Indian independence committee in the decade preceding the Great War. The conspiracy began at the start of the war, with extensive support from the German Foreign Office, the German consulate in San Francisco, and some support from Ottoman Turkey and the Irish republican movement. The most prominent plan attempted to foment unrest and trigger a Pan-Indian mutiny in the British Indian Army from Punjab to Singapore. It was to be executed in February 1915, and overthrow British rule in the Indian subcontinent. The February mutiny was ultimately thwarted when British intelligence infiltrated the Ghadarite movement and arrested key figures. Mutinies in smaller units and garrisons within India were also crushed. The Indo-German alliance and conspiracy were the target of a worldwide British intelligence effort, which successfully prevented further attempts. American intelligence agencies arrested key figures in the aftermath of the Annie Larsen affair in 1917. The conspiracy resulted in the Lahore conspiracy case trials in India as well as the Hindu–German Conspiracy Trial — at the time the longest and most expensive trial ever held in the United States. (Full article...)
    The Hindu–German Conspiracy(Note on the name) was a series of attempts between 1914 and 1917 by Indian nationalist groups to create a Pan-Indian rebellion against the British Empire during World War I. This rebellion was formulated between the Indian revolutionary underground and exiled or self-exiled nationalists in the United States. It also involved the Ghadar Party, and in Germany the Indian independence committee in the decade preceding the Great War. The conspiracy began at the start of the war, with extensive support from the German Foreign Office, the German consulate in San Francisco, and some support from Ottoman Turkey and the Irish republican movement. The most prominent plan attempted to foment unrest and trigger a Pan-Indian mutiny in the British Indian Army from Punjab to Singapore. It was to be executed in February 1915, and overthrow British rule in the Indian subcontinent. The February mutiny was ultimately thwarted when British intelligence infiltrated the Ghadarite movement and arrested key figures. Mutinies in smaller units and garrisons within India were also crushed.

    The Indo-German alliance and conspiracy were the target of a worldwide British intelligence effort, which successfully prevented further attempts. American intelligence agencies arrested key figures in the aftermath of the Annie Larsen affair in 1917. The conspiracy resulted in the Lahore conspiracy case trials in India as well as the Hindu–German Conspiracy Trial — at the time the longest and most expensive trial ever held in the United States. (Full article...)
  • Image 9 Vivah (transl. Wedding – transl. Marriage) is a 2006 Indian Hindi-language romantic drama film, written and directed by Sooraj R. Barjatya. Produced and distributed by Rajshri Productions, the film stars Shahid Kapoor and Amrita Rao as lead, alongside Anupam Kher, Alok Nath, Seema Biswas, Amrita Prakash, Samir Soni and Lata Sabharwal. Vivah tells the story of two individuals, and relates their journey from engagement to marriage and aftermath. Vivah is the fourth film to feature Shahid Kapoor opposite Amrita Rao. The film was released on 10 November 2006. It became a commercial success, and the tenth highest-grossing film of the year, grossing more than ₹539 million (US$6.2 million) worldwide. Critical reception was mixed; some reviewers found it dramatically lacking and bloated, but it also has been credited for triggering changes to the way marriage is depicted on film. It became an unexpected success, as well as Kapoor and Rao's biggest commercial success at that point. (Full article...)
    Vivah (transl. Wedding – transl. Marriage) is a 2006 Indian Hindi-language romantic drama film, written and directed by Sooraj R. Barjatya. Produced and distributed by Rajshri Productions, the film stars Shahid Kapoor and Amrita Rao as lead, alongside Anupam Kher, Alok Nath, Seema Biswas, Amrita Prakash, Samir Soni and Lata Sabharwal. Vivah tells the story of two individuals, and relates their journey from engagement to marriage and aftermath.

    Vivah is the fourth film to feature Shahid Kapoor opposite Amrita Rao. The film was released on 10 November 2006. It became a commercial success, and the tenth highest-grossing film of the year, grossing more than ₹539 million (US$6.2 million) worldwide. Critical reception was mixed; some reviewers found it dramatically lacking and bloated, but it also has been credited for triggering changes to the way marriage is depicted on film. It became an unexpected success, as well as Kapoor and Rao's biggest commercial success at that point. (Full article...)
  • Image 10 Mokashi in 2009 Paresh Mokashi (born 6 February 1969) is an Indian filmmaker, producer, actor and Theatre director-producer; working predominantly in Marathi cinema and Marathi theatre. He started working as a backstage worker for theatre and did few minor roles for plays as well as films. Mokashi made his directorial debut for theatre with the Marathi play, Sangeet Debuchya Mulee in 1999. He continued to work for theatre and made his directorial debut for cinema with the 2009 Marathi feature film, Harishchandrachi Factory. The film depicts the making of India's first full-length feature film, Raja Harishchandra (1913), made by Dadasaheb Phalke. The film was acclaimed critically and won several awards. It was also selected as India's official entry to 82nd Academy Awards in the Best Foreign Language Film category. (Full article...)

    Mokashi in 2009

    Paresh Mokashi (born 6 February 1969) is an Indian filmmaker, producer, actor and Theatre director-producer; working predominantly in Marathi cinema and Marathi theatre. He started working as a backstage worker for theatre and did few minor roles for plays as well as films. Mokashi made his directorial debut for theatre with the Marathi play, Sangeet Debuchya Mulee in 1999. He continued to work for theatre and made his directorial debut for cinema with the 2009 Marathi feature film, Harishchandrachi Factory. The film depicts the making of India's first full-length feature film, Raja Harishchandra (1913), made by Dadasaheb Phalke. The film was acclaimed critically and won several awards. It was also selected as India's official entry to 82nd Academy Awards in the Best Foreign Language Film category. (Full article...)
  • Image 11 InterGlobe Aviation Limited (d/b/a IndiGo), is an Indian low-cost airline headquartered in Gurgaon, Haryana, India. It is the largest airline in India by passengers carried and fleet size, with a 63.6% domestic market share as of November 2024. It is the largest individual Asian airline, and one of the largest in the world in terms of passengers carried, with more than 100 million passengers carried in 2023. As of February 2025[update], IndiGo operates over 2,200 daily flights to 125 destinations – 90 domestic and 35 international. It operates cargo services under its subsidiary, IndiGo CarGo. Its primary hub is at the Indira Gandhi International Airport, Delhi. The airline was established as a private company by Rahul Bhatia of InterGlobe Enterprises—an Indian multinational conglomerate based in Gurugram— and Rakesh Gangwal in 2005. It took delivery of its maiden aircraft in July 2006 and commenced operations a month later, on 4 August 2006. The airline became the largest Indian carrier by passenger market share in December 2012. The company went public in October 2015. IndiGo was ranked the 15th most punctual airline globally in 2022 by OAG. It is also the 6th busiest airline in the world, as per data from RadarBox. (Full article...)

    InterGlobe Aviation Limited (d/b/a IndiGo), is an Indian low-cost airline headquartered in Gurgaon, Haryana, India. It is the largest airline in India by passengers carried and fleet size, with a 63.6% domestic market share as of November 2024. It is the largest individual Asian airline, and one of the largest in the world in terms of passengers carried, with more than 100 million passengers carried in 2023. As of February 2025, IndiGo operates over 2,200 daily flights to 125 destinations – 90 domestic and 35 international. It operates cargo services under its subsidiary, IndiGo CarGo. Its primary hub is at the Indira Gandhi International Airport, Delhi.

    The airline was established as a private company by Rahul Bhatia of InterGlobe Enterprises—an Indian multinational conglomerate based in Gurugram— and Rakesh Gangwal in 2005. It took delivery of its maiden aircraft in July 2006 and commenced operations a month later, on 4 August 2006. The airline became the largest Indian carrier by passenger market share in December 2012. The company went public in October 2015. IndiGo was ranked the 15th most punctual airline globally in 2022 by OAG. It is also the 6th busiest airline in the world, as per data from RadarBox. (Full article...)
  • Image 12 Dhoni in 2023 Mahendra Singh Dhoni (/məˈheɪndrə ˈsɪŋ dhæˈnɪ/ ⓘ; born 7 July 1981) is an Indian professional cricketer who plays as a right-handed batter and a wicket-keeper. Widely regarded as one of the most prolific wicket-keeper batsmen and captains and one of the greatest ODI batsmen, he represented the Indian cricket team and was the captain of the side in limited overs formats from 2007 to 2017 and in test cricket from 2008 to 2014. Dhoni has captained the most international matches and is the most successful Indian captain. He has led India to victory in the 2007 ICC World Twenty20, the 2011 Cricket World Cup, and the 2013 ICC Champions Trophy, being the only captain to win three different limited overs ICC tournaments. He also led the teams that won the Asia Cup in 2010, 2016 and was a member of the title winning squad in 2018. Born in Ranchi, Dhoni made his first class debut for Bihar in 1999. He made his debut for the Indian cricket team on 23 December 2004 in an ODI against Bangladesh and played his first test a year later against Sri Lanka. In 2007, he became the captain of the ODI side before taking over in all formats by 2008. Dhoni retired from test cricket in 2014 but continued playing in limited overs cricket till 2019. He has scored 17,266 runs in international cricket including 10,000 plus runs at an average of more than 50 in ODIs. (Full article...)

    Dhoni in 2023

    Mahendra Singh Dhoni (/məˈheɪndrə ˈsɪŋ dhæˈnɪ/ ⓘ; born 7 July 1981) is an Indian professional cricketer who plays as a right-handed batter and a wicket-keeper. Widely regarded as one of the most prolific wicket-keeper batsmen and captains and one of the greatest ODI batsmen, he represented the Indian cricket team and was the captain of the side in limited overs formats from 2007 to 2017 and in test cricket from 2008 to 2014. Dhoni has captained the most international matches and is the most successful Indian captain. He has led India to victory in the 2007 ICC World Twenty20, the 2011 Cricket World Cup, and the 2013 ICC Champions Trophy, being the only captain to win three different limited overs ICC tournaments. He also led the teams that won the Asia Cup in 2010, 2016 and was a member of the title winning squad in 2018.

    Born in Ranchi, Dhoni made his first class debut for Bihar in 1999. He made his debut for the Indian cricket team on 23 December 2004 in an ODI against Bangladesh and played his first test a year later against Sri Lanka. In 2007, he became the captain of the ODI side before taking over in all formats by 2008. Dhoni retired from test cricket in 2014 but continued playing in limited overs cricket till 2019. He has scored 17,266 runs in international cricket including 10,000 plus runs at an average of more than 50 in ODIs. (Full article...)
  • Image 13 Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F) Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives. The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)

    Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F)

    Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives.

    The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)
  • Image 14 Arjun Reddy is a 2017 Indian Telugu-language romantic drama film written and directed by Sandeep Reddy Vanga, and produced by his brother Pranay Reddy Vanga's company Bhadrakali Pictures. It stars Vijay Deverakonda and Shalini Pandey while Rahul Ramakrishna, Jia Sharma, Sanjay Swaroop, Gopinath Bhat, Kamal Kamaraju and Kanchana appear in supporting roles. The film tells the story of Arjun Reddy Deshmukh (Deverakonda), a wealthy high-functioning alcoholic surgeon with anger management problems. Arjun is on a self-destructive path after the marriage of his girlfriend Preethi Shetty (Pandey); the film focuses on his downfall and subsequent resurgence. Arjun Reddy was partially inspired by Sandeep Vanga's life as a physiotherapy student. He worked on the script for two years and it took four to five years for the film to materialise. Principal photography commenced on 20 June 2016 at Hyderabad and took 86 working days to complete. Other filming locations include Mangalore, Dehradun and New Delhi, filming also took place in Italy. Radhan and Harshvardhan Rameshwar composed the soundtrack and score, respectively. Raj Thota was director of photography and Shashank Mali edited the film. (Full article...)
    Arjun Reddy is a 2017 Indian Telugu-language romantic drama film written and directed by Sandeep Reddy Vanga, and produced by his brother Pranay Reddy Vanga's company Bhadrakali Pictures. It stars Vijay Deverakonda and Shalini Pandey while Rahul Ramakrishna, Jia Sharma, Sanjay Swaroop, Gopinath Bhat, Kamal Kamaraju and Kanchana appear in supporting roles. The film tells the story of Arjun Reddy Deshmukh (Deverakonda), a wealthy high-functioning alcoholic surgeon with anger management problems. Arjun is on a self-destructive path after the marriage of his girlfriend Preethi Shetty (Pandey); the film focuses on his downfall and subsequent resurgence.

    Arjun Reddy was partially inspired by Sandeep Vanga's life as a physiotherapy student. He worked on the script for two years and it took four to five years for the film to materialise. Principal photography commenced on 20 June 2016 at Hyderabad and took 86 working days to complete. Other filming locations include Mangalore, Dehradun and New Delhi, filming also took place in Italy. Radhan and Harshvardhan Rameshwar composed the soundtrack and score, respectively. Raj Thota was director of photography and Shashank Mali edited the film. (Full article...)
  • Image 15 Balanathan Benjamin Mahendran (19 May 1939 – 13 February 2014), commonly known as Balu Mahendra, was a Sri Lankan Tamil cinematographer, director, screenwriter and film editor who worked in various Indian film industries, primarily in Tamil and Malayalam cinema. Born in Sri Lanka, Mahendran developed a passion for photography and literature at a young age, after witnessing the shoot of David Lean's The Bridge on the River Kwai (1957) during a school trip in Sri Lanka, he was drawn towards filmmaking. After graduation he joined as an Aerial photographer in the Sri Lankan Government. In 1966, he moved to India and gained admission to the Film and Television Institute of India (FTII) to pursue a course in motion picture photography. Upon completion of his diploma, he entered Malayalam cinema as a cinematographer in the early 1970s. After working in over 20 films as a cinematographer, Mahendra made his directorial debut in 1977 with the Kannada film Kokila. Since then, he directed over 20 films in a span of 36 years. Along with Bharathiraja and Mahendran, he is regarded as a trendsetter in Tamil cinema. Widely regarded as an auteur, Mahendra usually scripted and edited his films apart from shooting them. He was the recipient of six National Film Awards (including two for Best Cinematography), five Filmfare Awards South and several state government awards. During the tail end of his career, he established a film school in Chennai, which offers courses in cinematography, direction and acting. Following a brief phase of poor health, Mahendra died of cardiac arrest in February 2014. (Full article...)

    Balanathan Benjamin Mahendran (19 May 1939 – 13 February 2014), commonly known as Balu Mahendra, was a Sri Lankan Tamil cinematographer, director, screenwriter and film editor who worked in various Indian film industries, primarily in Tamil and Malayalam cinema. Born in Sri Lanka, Mahendran developed a passion for photography and literature at a young age, after witnessing the shoot of David Lean's The Bridge on the River Kwai (1957) during a school trip in Sri Lanka, he was drawn towards filmmaking. After graduation he joined as an Aerial photographer in the Sri Lankan Government. In 1966, he moved to India and gained admission to the Film and Television Institute of India (FTII) to pursue a course in motion picture photography. Upon completion of his diploma, he entered Malayalam cinema as a cinematographer in the early 1970s.

    After working in over 20 films as a cinematographer, Mahendra made his directorial debut in 1977 with the Kannada film Kokila. Since then, he directed over 20 films in a span of 36 years. Along with Bharathiraja and Mahendran, he is regarded as a trendsetter in Tamil cinema. Widely regarded as an auteur, Mahendra usually scripted and edited his films apart from shooting them. He was the recipient of six National Film Awards (including two for Best Cinematography), five Filmfare Awards South and several state government awards. During the tail end of his career, he established a film school in Chennai, which offers courses in cinematography, direction and acting. Following a brief phase of poor health, Mahendra died of cardiac arrest in February 2014. (Full article...)
  • Image 16 Chak De! India (transl. Let's go! India) is a 2007 Indian sports film directed by Shimit Amin and produced by Aditya Chopra under the banner of Yash Raj Films. The film stars Shah Rukh Khan as Kabir Khan, former captain of the India men's national field hockey team. After a disastrous loss to Pakistan, Khan is ostracized from the sport owing to religious prejudice. 7 years later in an attempt to redeem himself, he becomes the coach of the Indian national women's hockey team, with the goal of turning its 16 contentious players into an award-winning team. Jaideep Sahni, a screenwriter, was inspired by the India women's national field hockey team's win at the 2002 Commonwealth Games to develop Chak De! India's script after reading about it in a newspaper. The screenplay was fictional and the characters, while inspired by the real team and coaches, were invented by Sahni. Kabir Khan's struggles bore resemblance to those faced by real-life hockey player Mir Ranjan Negi, although Sahni was unaware of Negi's tribulations while writing the script. On the suggestion of Maharaj Krishan Kaushik, then coach of the women's hockey team, Sahni invited Negi to join the film's production team. A combination of professional players and actors were cast as the sixteen team members; workshops were conducted for training the actors in hockey and the players in acting. Kaushik and Negi would train Sahni, Khan and the other cast members over a period of six months. The sports scenes were choreographed by Rob Miller, and the soundtrack was composed by Salim–Sulaiman, with lyrics written by Sahni. (Full article...)
    Chak De! India (transl. Let's go! India) is a 2007 Indian sports film directed by Shimit Amin and produced by Aditya Chopra under the banner of Yash Raj Films. The film stars Shah Rukh Khan as Kabir Khan, former captain of the India men's national field hockey team. After a disastrous loss to Pakistan, Khan is ostracized from the sport owing to religious prejudice. 7 years later in an attempt to redeem himself, he becomes the coach of the Indian national women's hockey team, with the goal of turning its 16 contentious players into an award-winning team.

    Jaideep Sahni, a screenwriter, was inspired by the India women's national field hockey team's win at the 2002 Commonwealth Games to develop Chak De! India's script after reading about it in a newspaper. The screenplay was fictional and the characters, while inspired by the real team and coaches, were invented by Sahni. Kabir Khan's struggles bore resemblance to those faced by real-life hockey player Mir Ranjan Negi, although Sahni was unaware of Negi's tribulations while writing the script. On the suggestion of Maharaj Krishan Kaushik, then coach of the women's hockey team, Sahni invited Negi to join the film's production team. A combination of professional players and actors were cast as the sixteen team members; workshops were conducted for training the actors in hockey and the players in acting. Kaushik and Negi would train Sahni, Khan and the other cast members over a period of six months. The sports scenes were choreographed by Rob Miller, and the soundtrack was composed by Salim–Sulaiman, with lyrics written by Sahni. (Full article...)
  • Image 17 Picture of Tulsidas published in the Ramcharitmanas, by Sri Ganga Publishers, Gai Ghat, Benaras, 1949 Rambola Dubey (Hindi pronunciation: [rɑːməboːlɑː d̪ubeː]; 11 August 1511 – 30 July 1623), known as Tulsidas (Sanskrit pronunciation: [tʊlsiːdaːsa]), was a Vaishnava (Ramanandi) Hindu saint and poet, renowned for his devotion to the deity Rama. He wrote several popular works in Sanskrit, Awadhi, and Braj Bhasha, but is best known as the author of the Hanuman Chalisa and of the epic Ramcharitmanas, a retelling of the Sanskrit Ramayana, based on Rama's life, in the vernacular Awadhi language. Tulsidas spent most of his life in the cities of Banaras (modern Varanasi) and Ayodhya. The Tulsi Ghat on the Ganges in Varanasi is named after him. He founded the Sankat Mochan Hanuman Temple in Varanasi, believed to stand at the place where he had the sight of the deity. Tulsidas started the Ramlila plays, a folk-theatre adaptation of the Ramayana. (Full article...)

    Picture of Tulsidas published in the Ramcharitmanas, by Sri Ganga Publishers, Gai Ghat, Benaras, 1949

    Rambola Dubey (Hindi pronunciation: [rɑːməboːlɑː d̪ubeː]; 11 August 1511 – 30 July 1623), known as Tulsidas (Sanskrit pronunciation: [tʊlsiːdaːsa]), was a Vaishnava (Ramanandi) Hindu saint and poet, renowned for his devotion to the deity Rama. He wrote several popular works in Sanskrit, Awadhi, and Braj Bhasha, but is best known as the author of the Hanuman Chalisa and of the epic Ramcharitmanas, a retelling of the Sanskrit Ramayana, based on Rama's life, in the vernacular Awadhi language.

    Tulsidas spent most of his life in the cities of Banaras (modern Varanasi) and Ayodhya. The Tulsi Ghat on the Ganges in Varanasi is named after him. He founded the Sankat Mochan Hanuman Temple in Varanasi, believed to stand at the place where he had the sight of the deity. Tulsidas started the Ramlila plays, a folk-theatre adaptation of the Ramayana. (Full article...)
  • Image 18 Shaheen Bagh women protesters blocking a major road (Road 13A GD Birla Marg, Shaheen Bagh - Kalindi Kunj area) in New Delhi The Shaheen Bagh protest was a peaceful sit-in protest in Delhi, India, that began on 15 December 2019 and lasted until 24 March 2020. The protest was led by women who blocked a major road at Shaheen Bagh using non-violent resistance 24×7. Mainly consisting of Muslim women, the protest began in response to the passage of the Citizenship (Amendment) Act (CAA) on 11 December 2019 and the ensuing police intervention against students at Jamia Millia Islamia who were opposing the Amendment. Protesters agitated against the citizenship issues of the CAA, National Register of Citizens (NRC) and National Population Register (NPR), in addition to police brutality, unemployment, and poverty, and for women's safety. The Delhi Police barricaded major roads in and around the area, affecting more than 100,000 vehicles a day and adding hours to some journeys. Following the North East Delhi riots, police presence in the area temporarily increased with over 1000 personnel being assigned to Shaheen Bagh. After the COVID-19 outbreak in India and subsequent government-enforced restrictions the protest continued for several days in a more controlled manner. Following the complete lockdown imposed in Delhi on 23 March 2020, the remaining protesters were arrested or forcefully removed from the site by the Delhi Police. The barricaded and tented venue drew large crowds with tens of thousands of protesters participating. Some days saw over 150,000 at the venue. The protest inspired similar copycat protests across the country, such as those in Gaya, Kolkata, Prayagraj, Mumbai and Bengaluru. The leaderless protest became politicized and was generally against the Bharatiya Janata Party (BJP) government. The blockade became a campaign issue in the 2020 Delhi Legislative Assembly elections, especially for the BJP. BJP's campaign was negative towards the Shaheen Bagh protests with a number of campaigners making controversial statements such as "goli maaro" (English: Shoot them). Some BJP campaigners promised to immediately remove the blockade after being voted into power and were accused by their opponents of prolonging the demonstration to agitate voters. BJP won an extra six seats as compared to the last election while Aam Aadmi Party retained a clear majority with 62 seats. (Full article...)

    Shaheen Bagh women protesters blocking a major road (Road 13A GD Birla Marg, Shaheen Bagh - Kalindi Kunj area) in New Delhi

    The Shaheen Bagh protest was a peaceful sit-in protest in Delhi, India, that began on 15 December 2019 and lasted until 24 March 2020. The protest was led by women who blocked a major road at Shaheen Bagh using non-violent resistance 24×7. Mainly consisting of Muslim women, the protest began in response to the passage of the Citizenship (Amendment) Act (CAA) on 11 December 2019 and the ensuing police intervention against students at Jamia Millia Islamia who were opposing the Amendment. Protesters agitated against the citizenship issues of the CAA, National Register of Citizens (NRC) and National Population Register (NPR), in addition to police brutality, unemployment, and poverty, and for women's safety. The Delhi Police barricaded major roads in and around the area, affecting more than 100,000 vehicles a day and adding hours to some journeys. Following the North East Delhi riots, police presence in the area temporarily increased with over 1000 personnel being assigned to Shaheen Bagh. After the COVID-19 outbreak in India and subsequent government-enforced restrictions the protest continued for several days in a more controlled manner. Following the complete lockdown imposed in Delhi on 23 March 2020, the remaining protesters were arrested or forcefully removed from the site by the Delhi Police.

    The barricaded and tented venue drew large crowds with tens of thousands of protesters participating. Some days saw over 150,000 at the venue. The protest inspired similar copycat protests across the country, such as those in Gaya, Kolkata, Prayagraj, Mumbai and Bengaluru. The leaderless protest became politicized and was generally against the Bharatiya Janata Party (BJP) government. The blockade became a campaign issue in the 2020 Delhi Legislative Assembly elections, especially for the BJP. BJP's campaign was negative towards the Shaheen Bagh protests with a number of campaigners making controversial statements such as "goli maaro" (English: Shoot them). Some BJP campaigners promised to immediately remove the blockade after being voted into power and were accused by their opponents of prolonging the demonstration to agitate voters. BJP won an extra six seats as compared to the last election while Aam Aadmi Party retained a clear majority with 62 seats. (Full article...)
  • Image 19 Clouded leopard in Kaeng Krachan National Park The clouded leopard (Neofelis nebulosa), also called mainland clouded leopard, is a wild cat inhabiting dense forests from the foothills of the Himalayas through Northeast India and Bhutan to mainland Southeast Asia into South China. It was first described in 1821 on the basis of a skin of an individual from China. The clouded leopard has large dusky-grey blotches and irregular spots and stripes reminiscent of clouds. Its head-and-body length ranges from 68.6 to 108 cm (27.0 to 42.5 in) with a 61 to 91 cm (24 to 36 in) long tail. It uses its tail for balancing when moving in trees and is able to climb down vertical tree trunks head first. It rests in trees during the day and hunts by night on the forest floor. The clouded leopard is the sister taxon to other pantherine cats, having genetically diverged 9.32 to 4.47 million years ago. Today, the clouded leopard is locally extinct in Singapore, Taiwan, and possibly also in Hainan Island and Vietnam. The wild population is believed to be in decline with fewer than 10,000 adults and no more than 1,000 in each subpopulation. It has therefore been listed as Vulnerable on the IUCN Red List since 2008. The population is threatened by large–scale deforestation and commercial poaching for the wildlife trade. Its body parts are offered for decoration and clothing, though it is legally protected in most range countries. (Full article...)

    Clouded leopard in Kaeng Krachan National Park

    The clouded leopard (Neofelis nebulosa), also called mainland clouded leopard, is a wild cat inhabiting dense forests from the foothills of the Himalayas through Northeast India and Bhutan to mainland Southeast Asia into South China. It was first described in 1821 on the basis of a skin of an individual from China. The clouded leopard has large dusky-grey blotches and irregular spots and stripes reminiscent of clouds. Its head-and-body length ranges from 68.6 to 108 cm (27.0 to 42.5 in) with a 61 to 91 cm (24 to 36 in) long tail. It uses its tail for balancing when moving in trees and is able to climb down vertical tree trunks head first. It rests in trees during the day and hunts by night on the forest floor.

    The clouded leopard is the sister taxon to other pantherine cats, having genetically diverged 9.32 to 4.47 million years ago. Today, the clouded leopard is locally extinct in Singapore, Taiwan, and possibly also in Hainan Island and Vietnam. The wild population is believed to be in decline with fewer than 10,000 adults and no more than 1,000 in each subpopulation. It has therefore been listed as Vulnerable on the IUCN Red List since 2008. The population is threatened by large–scale deforestation and commercial poaching for the wildlife trade. Its body parts are offered for decoration and clothing, though it is legally protected in most range countries. (Full article...)
  • Image 20 Erode Subramanian Raja Gopal (12 May 1936 – 15 November 2018) was an Indian condensed matter physicist, a former professor at the Indian Institute of Science and a former director of the National Physical Laboratory of India. Known for his research in condensed matter physics, Raja Gopal was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well as a member of the Institute of Physics. He was a former CSIR emeritus scientist, an alumnus of the University of Oxford and the author of three reference texts in condensed matter physics. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1978. (Full article...)
    Erode Subramanian Raja Gopal (12 May 1936 – 15 November 2018) was an Indian condensed matter physicist, a former professor at the Indian Institute of Science and a former director of the National Physical Laboratory of India. Known for his research in condensed matter physics, Raja Gopal was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well as a member of the Institute of Physics. He was a former CSIR emeritus scientist, an alumnus of the University of Oxford and the author of three reference texts in condensed matter physics. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1978. (Full article...)
  • Image 21 Districts affected by the attacks.   Udupi district   Chikkamagaluru district   Dakshina Kannada district. The 2008 attacks on Christians in southern Karnataka were the wave of attacks directed against Christian churches and prayer halls in the Indian city of Mangalore and the surrounding area of southern Karnataka in September and October 2008 by Hindu nationalist organisations such as Bajrang Dal and Sri Ram Sena. The attacks were widely perceived by Christians in southern Karnataka to be revenge from right-wing Hindu nationalist organisations, because Mangalorean Christians had been outspoken about the 2008 anti-Christian attacks in Orissa. On 29 August, many groups across India participated in a "prayer for peace and communal harmony" in response to ongoing anti-Christian violence in Orissa. St Aloysius College and around 2000 Christian schools in Karnataka went on strike on 29 August, protesting against the attacks in Orissa. This was in defiance of orders of the government that 29 August was to be a regular work day. The BJP administration of Karnataka denounced local Christian institutions for disobeying orders in response, and a Bajrang Dal demonstration was held outside St Aloysius College. Strikes and protests continued for the next two weeks. The main attacks began on 14 September, when a group of youths from the Bajrang Dal went inside the chapel of Adoration Monastery of the Sisters of St Clare near the Milagres Church in Hampankatta and desecrated it. Some 20 churches, temples, and halls belonging to Catholic, Protestant, Jehovah's Witness, and independent Christians were attacked. Christian buildings were damaged across Mangalore taluk, Dakshina Kannada, Udupi and Chikkamagaluru districts. A few Christian institutions were later attacked in Bangalore district and Kasaragod district. (Full article...)

    Districts affected by the attacks.

      Udupi district   Chikkamagaluru district

      Dakshina Kannada district.

    The 2008 attacks on Christians in southern Karnataka were the wave of attacks directed against Christian churches and prayer halls in the Indian city of Mangalore and the surrounding area of southern Karnataka in September and October 2008 by Hindu nationalist organisations such as Bajrang Dal and Sri Ram Sena. The attacks were widely perceived by Christians in southern Karnataka to be revenge from right-wing Hindu nationalist organisations, because Mangalorean Christians had been outspoken about the 2008 anti-Christian attacks in Orissa.

    On 29 August, many groups across India participated in a "prayer for peace and communal harmony" in response to ongoing anti-Christian violence in Orissa. St Aloysius College and around 2000 Christian schools in Karnataka went on strike on 29 August, protesting against the attacks in Orissa. This was in defiance of orders of the government that 29 August was to be a regular work day. The BJP administration of Karnataka denounced local Christian institutions for disobeying orders in response, and a Bajrang Dal demonstration was held outside St Aloysius College. Strikes and protests continued for the next two weeks. The main attacks began on 14 September, when a group of youths from the Bajrang Dal went inside the chapel of Adoration Monastery of the Sisters of St Clare near the Milagres Church in Hampankatta and desecrated it. Some 20 churches, temples, and halls belonging to Catholic, Protestant, Jehovah's Witness, and independent Christians were attacked. Christian buildings were damaged across Mangalore taluk, Dakshina Kannada, Udupi and Chikkamagaluru districts. A few Christian institutions were later attacked in Bangalore district and Kasaragod district. (Full article...)
  • Image 22 Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana. The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
    Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana.

    The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
  • Image 23 Sridevi: The Eternal Screen Goddess is a biography by author and screenwriter Satyarth Nayak that chronicles the life and career of Indian actress Sridevi. Consisting of ten chapters, it describes her birth in 1963 in Egmore, her acting career in both the North and South Indian film industries, her marriage in 1996 to the film producer Boney Kapoor, with whom she has two daughters, and her death by accidental drowning in 2018. Published by Random House on 16 December 2019, the book was a success both commercially and critically, and reviewers commended it for the writing and comprehensiveness. After authoring the mystery novel The Emperor's Riddles (2014) and scripting the historical television series Porus (2017–2018), Nayak wanted to experiment in writing a biography. 2017 was the year of Sridevi's 300th film, Mom; the news of the milestone aroused him to choose the actress as his next subject. Discussion of the book was started the same year, but writing started in mid-2018—following her death in February 2018—and was finished in around 1+1⁄2 years. In research, Nayak used his personal collection of film magazines and interviewed approximately 70 people, including her family members, her contemporaries and her friends. (Full article...)
    Sridevi: The Eternal Screen Goddess is a biography by author and screenwriter Satyarth Nayak that chronicles the life and career of Indian actress Sridevi. Consisting of ten chapters, it describes her birth in 1963 in Egmore, her acting career in both the North and South Indian film industries, her marriage in 1996 to the film producer Boney Kapoor, with whom she has two daughters, and her death by accidental drowning in 2018. Published by Random House on 16 December 2019, the book was a success both commercially and critically, and reviewers commended it for the writing and comprehensiveness.

    After authoring the mystery novel The Emperor's Riddles (2014) and scripting the historical television series Porus (2017–2018), Nayak wanted to experiment in writing a biography. 2017 was the year of Sridevi's 300th film, Mom; the news of the milestone aroused him to choose the actress as his next subject. Discussion of the book was started the same year, but writing started in mid-2018—following her death in February 2018—and was finished in around 1+1⁄2 years. In research, Nayak used his personal collection of film magazines and interviewed approximately 70 people, including her family members, her contemporaries and her friends. (Full article...)
  • Image 24 Abu'l Hasan, Emperor Jahangir at the jharoka window of the Agra Fort, c. 1620, Aga Khan Museum Jharokha Darshan (Persian: جهروکه درشن) (Hindi: झरोखा दर्शन) was a daily practice of addressing the public audience (darshan) at the balcony (jharokha) at the forts and palaces of medieval kings in India. It was an essential and direct way of communicating face-to-face with the public, and was a practice which was adopted by the Mughal emperors. The balcony appearance in the name of Jharokha Darshan also spelled jharokha-i darshan was adopted by the 16th-century Mughal Emperor Akbar, even though it was contrary to Islamic injunctions. Earlier, Akbar's father Emperor Humayun had also adopted this Hindu practice of appearing before his subjects at the jharokha to hear their public grievances. Darshan is a Sanskrit word which means "sight" and "beholding" (also means: "the viewing of an idol or a saint") which was adopted by Mughals for their daily appearance before their subjects. This also showed a Hindu influence, It was first practiced by Humayun before Akbar adopted it as a practice at sunrise. Jharokha is an easterly facing "ornate bay-window", canopied, throne-balcony, the "balcony for viewing" (an oriel window projecting out of the wall) provided in every palace or fort where the kings or emperors resided during their reign. Its architecture served not only the basic need for lighting and ventilation but also attained a divine concept during the reign of Mughals. The jharokha appearances by the Mughals have been depicted by many paintings. (Full article...)
    Abu'l Hasan, Emperor Jahangir at the jharoka window of the Agra Fort, c. 1620, Aga Khan Museum

    Jharokha Darshan (Persian: جهروکه درشن) (Hindi: झरोखा दर्शन) was a daily practice of addressing the public audience (darshan) at the balcony (jharokha) at the forts and palaces of medieval kings in India. It was an essential and direct way of communicating face-to-face with the public, and was a practice which was adopted by the Mughal emperors. The balcony appearance in the name of Jharokha Darshan also spelled jharokha-i darshan was adopted by the 16th-century Mughal Emperor Akbar, even though it was contrary to Islamic injunctions. Earlier, Akbar's father Emperor Humayun had also adopted this Hindu practice of appearing before his subjects at the jharokha to hear their public grievances.

    Darshan is a Sanskrit word which means "sight" and "beholding" (also means: "the viewing of an idol or a saint") which was adopted by Mughals for their daily appearance before their subjects. This also showed a Hindu influence, It was first practiced by Humayun before Akbar adopted it as a practice at sunrise. Jharokha is an easterly facing "ornate bay-window", canopied, throne-balcony, the "balcony for viewing" (an oriel window projecting out of the wall) provided in every palace or fort where the kings or emperors resided during their reign. Its architecture served not only the basic need for lighting and ventilation but also attained a divine concept during the reign of Mughals. The jharokha appearances by the Mughals have been depicted by many paintings. (Full article...)
  • Image 25 Black is a 2005 Indian drama film co-written, directed, and co-produced by Sanjay Leela Bhansali. It stars Amitabh Bachchan and Rani Mukerji in lead roles, with Ayesha Kapur, Shernaz Patel and Dhritiman Chatterjee in supporting roles. The film narrates the story of Michelle (Mukerji), a deafblind woman, and her relationship with her teacher Debraj (Bachchan), an elderly alcoholic teacher who himself later develops Alzheimer's disease. In 2003, Bhansali announced the production of his new project, Black. Its idea first came up when he met several physically disabled children while shooting Khamoshi: The Musical in the 1990s. The story was inspired by the activist Helen Keller's life and her 1903 autobiography, The Story of My Life. Principal photography was done by Ravi K. Chandran in 100 days from mid-January to April 2004, taking place in Shimla and Film City. Omung Kumar was the production designer, while Sham Kaushal was the action director. After filming, it was edited by Bela Sehgal. The soundtrack and score were composed by Monty Sharma. (Full article...)
    Black is a 2005 Indian drama film co-written, directed, and co-produced by Sanjay Leela Bhansali. It stars Amitabh Bachchan and Rani Mukerji in lead roles, with Ayesha Kapur, Shernaz Patel and Dhritiman Chatterjee in supporting roles. The film narrates the story of Michelle (Mukerji), a deafblind woman, and her relationship with her teacher Debraj (Bachchan), an elderly alcoholic teacher who himself later develops Alzheimer's disease.

    In 2003, Bhansali announced the production of his new project, Black. Its idea first came up when he met several physically disabled children while shooting Khamoshi: The Musical in the 1990s. The story was inspired by the activist Helen Keller's life and her 1903 autobiography, The Story of My Life. Principal photography was done by Ravi K. Chandran in 100 days from mid-January to April 2004, taking place in Shimla and Film City. Omung Kumar was the production designer, while Sham Kaushal was the action director. After filming, it was edited by Bela Sehgal. The soundtrack and score were composed by Monty Sharma. (Full article...)
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