The construction of the cathedral was approved in 1894 by the Ministry of Internal Affairs of the Russian Empire. Groundbreaking was in 1899; construction work began in 1901 and was completed ten years later. Three-aisled and built from red brick, the cathedral is based on a design by architect Tomasz Bohdanowicz-Dworzecki. The style was influenced by Westminster Abbey and Milan Cathedral. With the help of funds from Catholic parishes in Russia and its neighbouring states, the church was consecrated as a chapel for Moscow's Polish parish in 1911. In the aftermath of the Russian Revolution in 1917, the Provisional Government was overthrown by the Bolsheviks and Russia eventually became part of the Soviet Union in 1922. Because the promotion of state atheism was a part of Marxist–Leninist ideology, the government ordered many churches closed; the cathedral was closed in 1938. During World War II, it was threatened with demolition, and was used after the war for civil purposes, as a warehouse and then a hostel. Following the fall of communism in 1991, it returned to being a church in 1996. In 2002 it was elevated to the status of cathedral. Following an extensive and costly programme of reconstruction and refurbishment, the cathedral was reconsecrated in 2005. (Full article...)
On 6 August 1945, at 8:15 am local time, the United States detonated an atomic bomb over the Japanese city of Hiroshima. Sixteen hours later, American president Harry S. Truman called again for Japan's surrender, warning them to "expect a rain of ruin from the air, the like of which has never been seen on this earth." Late on 8 August 1945, in accordance with the Yalta agreements, but in violation of the Soviet–Japanese Neutrality Pact, the Soviet Union declared war on Japan, and soon after midnight on 9 August 1945, the Soviet Union invaded the Japanese puppet state of Manchukuo. Hours later, the United States dropped a second atomic bomb on the Japanese city of Nagasaki. Emperor Hirohito subsequently ordered the Supreme Council for the Direction of the War to accept the terms the Allies had set down in the Potsdam Declaration. After several more days of behind-the-scenes negotiations and a failed coup d'état by hardliners in the Japanese military, Emperor Hirohito gave a recorded radio address across the Empire on 15 August announcing the surrender of Japan to the Allies. (Full article...)
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1876 portrait
Anna Pavlovna Filosofova (Russian: Анна Павловна Философова; néeDiaghileva; 5April 1837 – 17March 1912) was a Russian feminist and activist of the 19th and early 20th centuries.
Born into a wealthy, noble family, she married Vladimir Filosofov [ru] and they had six children. Initially concerned with the plight of serfs, Filosofova became a feminist in the late 1850s after joining the salon of Maria Trubnikova, who educated her on the subject. Alongside Trubnikova and Nadezhda Stasova, Filosofova was one of the earliest leaders of the Russian women's movement. Together, the three friends and allies were referred to as the "triumvirate". They founded and led several charitable organizations designed to promote women's cultural and economic independence, such as the Society for Cheap Lodgings and Other Benefits for the Citizens of St. Petersburg. Filosofova served as the president of that organization for several years. (Full article...)
The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during 1901–02. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Partypolyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans. (Full article...)
Born and raised in Georgia, in the Russian Empire, Ordzhonikidze joined the Bolsheviks at an early age and quickly rose within the ranks to become an important figure within the group. Arrested and imprisoned several times by the Russian police, he was in Siberian exile when the February Revolution began in 1917. Returning from exile, Ordzhonikidze took part in the October Revolution that brought the Bolsheviks to power. During the subsequent Civil War he played an active role as the leading Bolshevik in the Caucasus, overseeing the invasions of Azerbaijan, Armenia, and Georgia. He backed their union into the Transcaucasian Socialist Federative Soviet Republic (TSFSR), which helped form the Soviet Union in 1922 and served as the First Secretary of the TSFSR until 1926. (Full article...)
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Manuscript miniature, part of double portrait with Empress Maria, Vatican Library
Manuel I Komnenos (Greek: Μανουήλ Κομνηνός, romanized: Manouḗl Komnēnós; 28 November 1118 – 24 September 1180), Latinized as Comnenus, also called Porphyrogenitus (Greek: Πορφυρογέννητος; "born in the purple"), was a Byzantine emperor of the 12th century who reigned over a crucial turning point in the history of Byzantium and the Mediterranean. His reign saw the last flowering of the Komnenian restoration, during which the Byzantine Empire experienced a resurgence of military and economic power and enjoyed a cultural revival.
Eager to restore his empire to its past glories as the great power of the Mediterranean world, Manuel pursued an energetic and ambitious foreign policy. In the process he made alliances with Pope Adrian IV and the resurgent West. He invaded the Norman Kingdom of Sicily, although unsuccessfully, being the last Eastern Roman emperor to attempt reconquests in the western Mediterranean. The passage of the potentially dangerous Second Crusade through his empire was adroitly managed. Manuel established a Byzantine protectorate over the Crusader states of Outremer. Facing Muslim advances in the Holy Land, he made common cause with the Kingdom of Jerusalem and participated in a combined invasion of FatimidEgypt. Manuel reshaped the political maps of the Balkans and the eastern Mediterranean, placing the kingdoms of Hungary and Outremer under Byzantine hegemony and campaigning aggressively against his neighbours both in the west and in the east. (Full article...)
A Finnish Maxim M/09-21 machine gun crew during the Winter War
The Winter War was a war between the Soviet Union and Finland. It began with a Soviet invasion of Finland on 30 November 1939, three months after the outbreak of World War II, and ended three and a half months later with the Moscow Peace Treaty on 13 March 1940. Despite superior military strength, especially in tanks and aircraft, the Soviet Union suffered severe losses and initially made little headway. The League of Nations deemed the attack illegal and expelled the Soviet Union from its organization.
The Soviets made several demands, including that Finland cede substantial border territories in exchange for land elsewhere, claiming security reasons – primarily the protection of Leningrad, 32 km (20 mi) from the Finnish border. When Finland refused, the Soviets invaded. Most sources conclude that the Soviet Union had intended to conquer all of Finland, and cite the establishment of the puppet Finnish Communist government and the Molotov–Ribbentrop Pact's secret protocols as evidence of this, while other sources argue against the idea of a full Soviet conquest. Finland repelled Soviet attacks for more than two months and inflicted substantial losses on the invaders in temperatures as low as −43 °C (−45 °F). The battles focused mainly on Taipale along the Karelian Isthmus, on Kollaa in Ladoga Karelia and on Raate Road in Kainuu, but there were also battles in Lapland and North Karelia. (Full article...)
The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.
Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
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Extent of Ali Bey and Zahir's territory between 1768 and 1774 and Russian naval movements in the Levant, based on the accounts of Sauveur Lusignan, a contemporary historian Beirut was twice occupied during the Russo-Turkish War of 1768–1774 by squadrons of the Imperial Russian Navy's Mediterranean Fleet, first in June 1772 and second from October 1773 to early 1774, as part of its Levant campaign. Russia's main objective in this campaign was to assist local forces led by Egypt's autonomous ruler, Ali Bey al-Kabir, who was in open rebellion against the Ottoman Empire.
Russia, led by Catherine the Great, was pressing the Ottomans in Europe. Ali took advantage of the Empire's preoccupation with Russia to declare Egypt's independence; in 1771 he sent an army led by Muhammad Bey Abu al-Dhahab to occupy Ottoman territory in the Levant. Abu al-Dhahab unexpectedly returned to challenge Ali for control of Egypt. Ali requested Russian military assistance against both his rival and the Ottomans. When this aid, in the form of a small Russian squadron, arrived in the region, Ali had already fled Egypt and taken refuge in Acre, the power base of his ally, Zahir al-Umar. After helping repel an Ottoman offensive on Sidon, the Russian squadron sailed for Beirut. They bombarded the town in June 1772 and occupied it from 23 to 28 June. (Full article...)
Little was known about the effects of spaceflight on living creatures at the time of Laika's mission, and animal flights were viewed by engineers as a necessary precursor to human missions. The experiment, which monitored Laika's vital signs, aimed to prove that a living organism could survive being launched into orbit and continue to function under conditions of weakened gravity and increased radiation, providing scientists with some of the first data on the biological effects of spaceflight. (Full article...)
Named for the siege of Sevastopol during the Crimean War, the ship was commissioned into the First Pacific Squadron of the Russian Pacific Fleet and was stationed at Port Arthur (today Lüshunkou District, Dalian, Liaoning, China), a Russian naval base acquired from China in 1898 as part of the Kwantung Leased Territory. One of the first ships to use Harvey nickel-steel armor and Popov radios, she displaced 11,854 long tons (12,044 t) at full load and was 369 feet (112.5 m) long overall, and mounted a main battery of four 12-inch (305 mm) guns in two twin turrets. She was laid down in May 1892, launched on 1 June 1895 and completed in 1899. Her sea trials lasted until 1900. (Full article...)
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Tintin in the Land of the Soviets (French: Tintin au pays des Soviets) is the first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle as anti-communistsatire for its children's supplement Le Petit Vingtième, it was serialised weekly from January 1929 to May 1930 before being published in a collected volume by Éditions du Petit Vingtième in 1930. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Soviet Union to report on Stalin's government. Knowing of his intentions, however, the secret police of the OGPU are sent to hunt him down.
Bolstered by publicity stunts, Land of the Soviets was a commercial success in Belgium, and also witnessed serialisation in France and Switzerland. Hergé continued The Adventures of Tintin with Tintin in the Congo, and the series became a defining part of the Franco-Belgian comics tradition. Damage to the original plates prevented republication of the book for several decades, while Hergé later expressed embarrassment at the crudeness of the work. As he began to redraw his earlier Adventures in second, colour versions from 1942 onward, he decided against doing so for Land of the Soviets; it was the only completed Tintin story that Hergé did not reproduce in colour. Growing demand among fans of the series resulted in the production of unauthorised copies of the book in the 1960s, with the first officially sanctioned republication appearing in 1969, after which it was translated into several other languages, including English. Critical reception of the work has been largely negative, and several commentators on The Adventures of Tintin have described Land of the Soviets as one of Hergé's weakest works. (Full article...)
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
A painting depicting Ivan Tsarevich, one of the main heroes of Russian folklore, riding a magic carpet after having captured the Firebird, which he keeps in a cage. This work was Viktor Vasnetsov's first attempt at illustrating Russian folk tales and inaugurated a famous series of paintings on the themes drawn from Russian folklore.
The Great Coat of Arms of the Russian Empire, as presented to Emperor Paul I in October 1800. The use of the double-headed eagle in the coat of arms (seen in multiple locations here) goes back to the 15th century. With the fall of Constantinople and the end of the Byzantine Empire in 1453, the Grand Dukes of Moscow came to see themselves as the successors of the Byzantine heritage, a notion reinforced by the marriage of Ivan III to Sophia Paleologue. Ivan adopted the golden Byzantine double-headed eagle in his seal, first documented in 1472, marking his direct claim to the Roman imperial heritage and his assertion as sovereign equal and rival to the Holy Roman Empire.
An aerial view of the Field of Mars, a large park in central Saint Petersburg, Russia, pictured in 2016. It is named after Mars, the Roman god of war. The park's history goes back to the 18th century, when it was converted from bogland and named the Grand Meadow. Later, it was the setting for celebrations to mark Russia's victory over Sweden in the Great Northern War. Its next name, the Tsaritsyn Meadow, appears after the royal family commissioned Francesco Bartolomeo Rastrelli to build the Summer Palace for Empress Elizabeth. It became the Field of Mars during the reign of Paul I. Towards the end of the 18th century, the park became a military drill ground, where they erected monuments commemorating the victories of the Russian Army and where parades and military exercises took place regularly. After the February Revolution in 1917, the Field of Mars became a memorial area for the revolution's honoured dead. In the summer of 1942, as the city was besieged by the German army in the Siege of Leningrad, the park was covered with vegetable gardens to supply food. An eternal flame was lit in the centre of the park in 1957, in memory of the victims of various wars and revolutions.
Leo Tolstoy (1828–1910) was a Russian writer who is regarded as one of the world's greatest novelists. He is best known for War and Peace (1869) and Anna Karenina (1877), often cited as pinnacles of realist fiction. Born to an aristocratic family on 9 September [O.S. 28 August] 1828, Tolstoy was orphaned when he was young. He studied at Kazan University, but this was not a success, and he left university without completing his degree. During this time, he began to write and published his first novel, Childhood, in 1852. Tolstoy later served at the Siege of Sevastopol during the Crimean War, and was appalled by the number of deaths and left at the conclusion of the war. He spent the remainder of his life writing whilst also marrying and starting a family. In the 1870s he converted to a form of fervent Christian anarchism.
Sadko is a character in the Russian medieval epic Bylina. An adventurer, merchant and gusli musician from Novgorod, Sadko becomes wealthy with the help of the Sea Tsar, but is thrown in the sea when he fails to pay the Sea Tsar his due respects. This story was widely adapted in the 19th century, including in a poem by Alexei Tolstoy and an opera by Nikolai Rimsky-Korsakov.
Shown here is Sadko in the Underwater Kingdom, an 1876 painting by Ilya Repin. It depicts Sadko meeting the Sea Tsar under the sea.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
Maslenitsa, a 1919 painting depicting the carnival of the same name, which takes place the last week before Great Lent. The painting encompasses a broad range of things associated with Russia, such as snowy winter weather, a troika, an Orthodox church with onion domes. Painted in the aftermath of the October Revolution, the canvas was intended as a farewell to the unspoilt "Holy Russia" of yore.
A female Siberian tiger (Panthera tigris altaica), a subspecies of tiger native to Central Asia, and her cub. The Siberian tiger is the largest of the extant tiger subspecies as well as the largest felid, attaining 320 kg (710 lb) in an exceptional specimen. Considered an endangered subspecies, the wild population is down to several hundred individuals and is limited to eastern Siberia.
Maxim Gorky (1868–1936) was a Russian political activist and writer who helped establish the Socialist Realism literary method. This portrait dates from a trip Gorky made to the United States in 1906, on which he raised funds for the Bolsheviks. During this trip he wrote his novel The Mother.
The Chesme Column is a victory column in the Catherine Park at the Catherine Palace, a former Russian royal residence in Tsarskoye Selo, a suburb of Saint Petersburg. It was erected to commemorate three Russian naval victories in the 1768–1774 Russo-Turkish War, including the Battle of Chesma in 1770. The column is made from three pieces of white-and-pink marble; decorated with the rostra of three ships' bows, and crowned by a triumphal bronze statue depicting a Russian eagle trampling a crescent moon, the symbol of Turkey. Bronze plaques on three sides of the pedestal depict scenes from the battles, and the campaign is described on the plaque on the fourth side.
Alexis (1629–1676) was the tsar of Russia from 1645 until his death. Born in Moscow on 29 March 1629, the son of Tsar Michael and Eudoxia Streshneva, the sixteen-year-old Alexis acceded to the throne after his father's death. Boris Morozov, a shrewd boyar open to Western ideas, took charge of Russia in the early years of Alexis's reign, but was exiled from Moscow following a popular uprising. Alexis responded to the uprising with a new legal code. His reign saw wars with Poland and with Sweden, a schism in the Russian Orthodox Church, and the major Cossack revolt of Stenka Razin. Alexis was married twice and had sixteen children, including tsars Fyodor III; Ivan V; Peter the Great; and Sofia, who ruled as regent for her brothers from 1682 to 1689.
This oil painting, made by an unknown artist in the 1670s, is now located in a museum in Ptuj, Slovenia.
A Boyar Wedding Feast is an oil-on-canvas painting created by Russian artist Konstantin Makovsky in 1883. The boyars were members of the highest rank of the feudal aristocracy of Russia in the 16th and 17th centuries, and a wedding was an important social event. In this painting, the guests are depicted toasting a newlywed couple. They stand at the head of the table, where the groom sees his bride without her veil for the first time; she appears timid and bashful as the men toast for the first kiss. Behind the couple, the Lady of Ceremony gently urges on the bride. A roasted swan is being brought in on a large platter, the last dish to be served before the couple retires to the bedroom. The work is in the collection of the Hillwood Estate, Museum & Gardens, in Washington, D.C.
Saint Basil's Cathedral is a church in Red Square in Moscow, Russia. It was built from 1555 to 1561 on orders from Ivan the Terrible and commemorates the capture of Kazan and Astrakhan. The city's tallest building until the completion of the Ivan the Great Bell Tower in 1600, the original building contained eight side churches arranged around the ninth, central church of Intercession; the tenth church was erected in 1588 over the grave of venerated local saint Vasily (Basil). Although the Bolsheviks considered demolishing the church in the 1930s, it was spared. Since 1991 it has housed a branch of the State Historical Museum and hosted occasional church services.
Tushonka (Russian: тушёнка, IPA:[tʊˈʂonkə], from тушение, 'braising') is a canned stewedmeat especially popular in Russia and other countries of the former Eastern Bloc. It has become a common name for different kinds of canned stewed meat, not all of which correspond to the strict GOST standards.
Tushonka can be used and preserved in extreme situations, and therefore is a part of military food supplies in the CIS. For the people of the Soviet Union, tushonka was a part of military and tourist food supplies; at some extreme periods of time it could be bought only with food stamps. (Full article...)
Little was known about the effects of spaceflight on living creatures at the time of Laika's mission, and animal flights were viewed by engineers as a necessary precursor to human missions. The experiment, which monitored Laika's vital signs, aimed to prove that a living organism could survive being launched into orbit and continue to function under conditions of weakened gravity and increased radiation, providing scientists with some of the first data on the biological effects of spaceflight. (Full article...)
We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial - whatever our special services, Putin's guard dogs, see fit.
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